Treadmill price india : Exercise equipment suppliers : Exercise equipment guide
Treadmill Price India
- an exercise device consisting of an endless belt on which a person can walk or jog without changing place
- a job involving drudgery and confinement
- A device formerly used for driving machinery, consisting of a large wheel with steps fitted into its inner surface. It was turned by the weight of people or animals treading the steps
- An exercise machine, typically with a continuous belt, that allows one to walk or run in place
- A job or situation that is tiring, boring, or unpleasant and from which it is hard to escape
- a mill that is powered by men or animals walking on a circular belt or climbing steps
- monetary value: the property of having material worth (often indicated by the amount of money something would bring if sold); “the fluctuating monetary value of gold and silver”; “he puts a high price on his services”; “he couldn’t calculate the cost of the collection”
- determine the price of; “The grocer priced his wares high”
- the amount of money needed to purchase something; “the price of gasoline”; “he got his new car on excellent terms”; “how much is the damage?”
- Decide the amount required as payment for (something offered for sale)
- A country in southern Asia that occupies the greater part of the Indian subcontinent; pop. 1,065,000,000; capital, New Delhi; official languages, Hindi and English (14 other languages are recognized as official in certain regions; of these, Bengali, Gujarati, Marathi, Tamil, Telugu, and Urdu have the most first-language speakers)
- A code word representing the letter I, used in radio communication
- (indian) of or relating to or characteristic of India or the East Indies or their peoples or languages or cultures; “the Indian subcontinent”; “Indian saris”
- a republic in the Asian subcontinent in southern Asia; second most populous country in the world; achieved independence from the United Kingdom in 1947
- (indian) a member of the race of people living in America when Europeans arrived
treadmill price india – Maxell HP-20
Maxell’s HP20 headphone extension cord gives you the options you need to connect your headphones to nearly any output setup. A 20-foot coiled cord expands and retracts to give you more mobility while using less space. A dual-pin airline adapter, 0.25-inch stereo adapter, dual headphone adapter, and mono adapter are included.
Smart and sexy Julie Christie (1941) is an icon of the new British cinema. During the Swinging Sixties she became a superstar with such roles as Lara in the worldwide smash hit Doctor Zhivago (1965). Since then she has won the Academy, Golden Globe, BAFTA, and Screen Actors Guild Awards.
Julie Frances Christie was born in 1941 in Chukua, India, then part of the British Empire. She was the daughter of Frank St. John Christie, a tea planter, and his Welsh wife Rosemary (nee Ramsden), who was a painter. Her younger brother, Clive Christie, would become a professor of SouthEast Asian studies at Hull University. They grew up on their father’s tea plantation in Assam. At 7, Julie was sent to England for her education. As a teenager at Wycombe Court School, she played the role of the Dauphin in a school production of George Bernard Shaw’s Saint Joan. A fascination with the artist’s lifestyle led to her enrolling in London’s Central School of Speech and Drama training. She made her stage debut as a member of the Frinton Repertory of Essex in 1957. One of her first roles was playing Anne Frank in a London theatrical production of The Diary of Anne Frank. Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. She made her TV debut as an artificially girl created from the DNA of a deceased science lab assistant in the BBC sci-fi series A for Andromeda (1961, Michael Hayes). Her first film appearance was a bit part in the amusing comedy Crooks Anonymous (1962, Ken Annakin), which was followed up by a larger ingenue role in the romantic comedy The Fast Lady (1963, Ken Annakin) with Stanley Baxter. Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress (Topsy Jane) originally cast in Billy Liar (1963, John Schlesinger). Christie’s turn in the film as the free-wheeling Liz, the supremely confident friend and love interest to Tom Courtenay’s full-time dreamer Billy, was a stunner, and she had her first taste of becoming an icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute Daisy Battles in Young Cassidy (1965, Jack Cardiff, John Ford), a biopic about Irish playwright Sean O’Casey. She made her breakthrough to super-stardom in Schlesinger’s seminal Swinging Sixties film Darling (1965, John Schlesinger). Schlesinger called on Christie to play the role of the manipulative young actress and jet setter Diana Scott when the casting of Shirley MacLaine fell through. As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Oscar and the Best Actress BAFTA. Her image as the It girl of the Swinging Sixties was further cemented by her appearance in the documentary Tonite Let’s All Make Love in London (1967), which covered the hipster scene in England.
Julie Christie followed up Darling (1965) with the role of the tragic Lara Antipova in the two-time Academy Award-winning Doctor Zhivago (1965, David Lean). Lean’s epic adaptation of Boris Pasternak’s novel became one of the all-time box-office champs. Christie was now a superstar who commanded a price of $400,000 per picture. More interested in film as an art form than in consolidating her movie stardom, Christie followed up Doctor Zhivago (1965) with a dual role in Fahrenheit 451 (1966) for Francois Truffaut, a Nouvelle Vague director she admired. The film was, according to Jon C Hopwood at IMDb, hurt by the director’s lack of English and by friction between Truffaut and Christie’s male co-star Oskar Werner, who had replaced the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. Stamp overcame those ego problems to sign on as her co-star in John Schlesinger’s adaptation of Thomas Hardy’s Far from the Madding Crowd (1967, John Schlesinger), which also Peter Finch and Alan Bates. Jon C. Hopwood: “It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too ‘mod’ and thus untrue to one of Hardy’s classic tales of fate.” She then met the man who transformed her life, undermining her pretensions to a career as a film star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealt
The Asiatic Society – State Central Library – Town Hall, Mumbai – India